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Her personal life began to unravel when she started trading stocks. Watching Lana you can see the level of stress an individual faces in her job. "Maybe you don't need to take the risk," her father, Kevin Eldon, told her after the tragedy. "I won't take any chances Dad. This is my job and I'm very good at it" she told him. Yes produces shows whose protagonists tend to be workaholics — who are highly trained professionals who work in some form of law enforcement — with a solid work ethic and the ability to stay up for days on end.

They are also very talented. Vicky McClure Eric Shango and Mark Stanley croatia number database in Trigger Point. Photo courtesy of Beyond this solid and gripping story structure there’s one adrenaline-pumping sequence punctuated by just the right trigger points of romance and personal melodrama The key to its success is McClure’s performance as Lana. When you first see her it's hard not to think of Kate Fleming in Call of Duty and compare the two characters played by McClure.

But you quickly forget about the anti-corruption unit detectives. McClure succeeds in creating a unique character here. She was a more attractive, charismatic and feisty police officer. Dressed in an all-black Expo uniform consisting of T-shirt overalls and boots, Lana wouldn't flinch lying on the floor or replacing a malfunctioning bomb disposal robot. She was physically in a way that Kate never had to perform her duties. We learn more about Lana's life outside of work in the six episodes of Trigger Point than we do in Kate's personal narrative in all six seasons of Call of Duty.